Fred Einaudi ’s portraits take the iconic optic linguistic communication of their national – the can - do posture of women in wartime propaganda posters , the artlessness and curio displayed in paintings of youngster , the elegance and dramatic event of prudish and Edwardian geological era portrayal – and juxtaposes it with unexpected images of death and destruction . The solution are some of the most haunting visions of human and animals going on with their lives in a devastated world .
The dreamlike images of “ Patriot ” ( at the top ) and “ Rousseau ” ( above ) propose a earth where most humanity and industriousness have evaporate , provide just a few human existence to bid on . But the monochromatic “ Buttonmaker , ” “ Chocolate Donut , ” and “ thirsty ” advise extra losses – going of neat air , red ink of limbs – that show a more utmost vision of the new normal .
A few of his house painting depict the things we would leave behind . “ Necropolis ” shows a snowy boneyard not of our bodies , but of our vehicles , while “ Extinction ( Study ) ” reminds us that when we ’re gone , our Darwinian bettor will move impassively about the last monument of our existence .
[ Fred EinaudiviaCoilhouse ]
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