What ’s the most important set on a Star Trek show ? Depending on the serial , it might differ — for the most part , it ’s going to be thebridge of a spaceship . But “ the bridge of a starship ” is n’t really the answer to that dubiousness : it ’s the piazza thatfeels most like home . And while it ’s definitely not a starship , Deep Space Nine ’s promenade is exactly that , perhaps more than any other iconic locus in the enfranchisement .
Today as part of a serial of updates to itsvirtual turn offeringson the Apple Vision Pro , theRoddenberry Archiveand OTOY announced a raft ofnew practical reality set tours , train fans inside the world of Star Trek . To celebrate this week’sreturn of Star Trek : Discovery , the bridge of the legendary vas is now available for practical tribulation , as are the first virtual tour inside thefleets of the Klingon Empire — specifically the I.K.S. Amar , the K’t’inga battle police cruiser from the first step of The Motion Picture . But perhaps the most fascinating gain is a further geographic expedition of Deep Space Nine ’s titulary station , and the most authoritative place of allamong its rings and pylons : the thoroughfare of the Promenade .
The Promenade was already part of the archive , but now hearing can explore further aspects of the solidifying — one of the prominent ever build for Star Trek , the biggest instantly at the time of motion-picture photography — but the real highlight is a new , accompanying documentary about the excogitation history of the set and its legacy , narrated by the gross tour template for such a locale : Armin Shimmerman , the man behind the lobe of the Promenade ’s premier businessman , Quark .

Gif: Roddenberry Archive/OTOY
It ’s a expectant little piece , looking at the set ’s blueprint process , how its scale was captured on screen , as well as Shimmerman relish in giving little in - world guides to everything that the Promenade had to offer . It ’s a reminder of not just what an telling set it was , but how its aim language inform the very center of what Deep Space Nine was doing with Star Trek . In the Promenade , we have a elementary bent that is unlike anything we ’ve ever seen on the show before : this is not Federation intention , or Starfleet ship corridors , but the brutalist Angle of Cardassian aesthetical clashing with the daddy of color from the flags hang by the Bajorans and other foreign cultures steady in the process of reclaiming what was once a dour shadow over the oppressions of Bajor . Few Star Trek hardening are exactly comforting , but this heady mixing of sharp angles and coolheaded metallics against the vibrancy of store light and flags bring the Promenade a good sense of drabness that few other unconstipated Trek curing could match .
That living made the Promenade whistle — sometimes literally , in the subject of the Klingon restaurateur dally his accordion and howl traditional Klingon lay at diner — and it made it the heart of Deep Space Nine , a sacred space for the watcher that the show could then violate at a second ’s notice to amplify any given terror . The Promenade has been home to firefights , character assassination endeavour , it ’s been besieged , it ’s been captured by our heroes ’ bad enemy , but it ’s also a stead of love , dangerous undertaking , and fun , the sight of some of the best moment in the integrality of DS9 . It is , after all , where the show ’s heart is — and that is where home resides .
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