How to Make Your Ridiculous TV Show Work

Sleepy Hollow is very possibly the most ludicrous show that has even been on goggle box . It ’s about the Headless Horseman being one of the Four Horsemen of the Apocalypse , and Ichabod Crane getting send to the present by his married woman ( who ’s a Wiccan ) to blockade the Revelation of Saint John the Divine … for starters . This is whole absurd , and yet Sleepy Hollow is also one of the most entertaining shows on TV right now . Here ’s the ruler Sleepy Hollow and preposterous shows are following to kill your vulgar sense .

Make your characters likable .

First and firstly . Your show can be the silliest , dumbest thing on TV , but as long as multitude enjoy watching the characters , they ’ll credibly still remain tune up . The beneficial example of this right now is indeed Sleepy Hollow , as Tom Mison ’s delightfully bitchy Ichabod Crane is just tremendous to watch , no matter how absurd everything else is . Agents of SHIELD , plot - fresh , has been pretty ho - humming , but Clark Gregg is carrying most of the show‘s free weight on his shoulder through his charm as Agent Coulson . Silas Weir Mitchell ’s Munroe as definitely been the precious stone of Grimm of both season , while star David Giuntoli has slow been coming into his own personality , and he ’s emphatically the ripe part of the series . And a major divisor in micturate your characters sympathetic is …

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Have the characters take the ridiculousness seriously and realistically .

you’re able to get by with pretty much any plot as long as the TV audience feel like the part are responding to it like actual mass actually would . For many shows , that stand for a profound bafflement , like Anthony Edwards seeing the frozen corpse of a Nazi officer who look exactly like him in Zero Hour , or Ichabod Crane waking up in 2013 in Sleepy Hollow . material mass would be boggled by these things , and to immediately sweep them off is merely obtuse . The flipside to this is that at a certain detail , characters do involve to accept the ridiculous of their spot , or they actually become stupid by ignoring their realness . Seeing is believe , and most humans , when faced with enough facts , will accept almost anything . think of how plaguey it was in The X - Files when Scully would never , ever believe a supernatural drive for their fount , even though she would have arrested Bigfoot last week ? naturalistic characters will understand that their berth is derisory , but they ’ll also take on it to themselves and then contend with it . This also means …

Do n’t make your persona unintelligent .

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The show may be ridiculous , but that does n’t mean your characters have to be . sure enough , if you have a show like Zero Hour which is about a secret society design to steal the cross Jesus was crucified on for clone Jesus to bring about Armageddon , then you ’re going to have some explaining to do on the way . But in a show like Grimm — well , in Grimm , Nick has been defend fairy tale monsters called Wesen for two full seasons , and yet for some reason 1 ) he never , ever expects one of the numberless weird crimes he encounter to have been commit by a Wesen until something else weird encounter , and 2 ) he ’s apparently never , ever heard a single poove tale before , meaning every single raw Wesen need to be explain to him in item , even when it ’s something middling well known , like Rumplestiltskin . I intend , even if he somehow grew up without ever once find out about Rumplestiltskin — which seems improbable — should n’t Nick at some point posture down and read a transcript of Grimm ’s Fairy Tales in ordering to be a well Jakob Grimm ? Note : Sleepy Hollow managed to nullify this exit , because in the show Ichabod Crane is substantial , but Washington Irving ’s story is not . This has stave off countless problems .

Play by the rules you ’ve congeal .

Your show can be as completely insane as you need it to be . You want to take the legend of Sleepy Hollow and have the Headless Horseman be one of the Four Horsemen of the Apocalypse and also there ’s a monster identify Moloch in armorial bearing who ’s decided a little town in New York is ground zero for Armageddon ? That ’s completely fine . But once you establish what you ’re working with , you ’ve got to play by the rules you set , because other you break the concordat you have with the spectator . They ’ve agreed to debar their unbelief for your premise — there ’s a short moment of wiggle room there — but something that directly contradicts what ’s come before is a dealbreaker . For instance , as insane as Sleepy Hollow is , at no point are aliens going to be able to show up . A good example of a show that fucked this up is Alias ; it was a very ridiculous — and sport — undercover agent show that required a bonny amount of incredulity , with ludicrous double - hybridisation , insane programme , and bravo modify to look like other hoi polloi . But then Alias somehow became about zombi , and it was dumb . Not that there ca n’t be shows about zombies , apparently , but you ca n’t throw them in season 4 of a non - supernatural show and expect citizenry to keep watching .

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PACING .

Perhaps even more important that having likable characters is pacing . Lethargy is death to the ridiculous show , because any lull give the viewers time to realize what they ’re watching is kind of dumb . sleepy-eyed Hollow avoids self-examination of its wholly ridiculous plot by keeping the mysteries and action at law come continually . Jakob Grimm tolerate because it take so long for the Grimm team to forecast out what ’s going on , and then how to fix it , and then executing their plan . Zero Hour was pretty much as preposterous as Sleepy Hollow and did n’t have appealing or smart characters , and arrive away with it strictly because the show moved at a lightning fast pace , as Anthony Edwards and work party kept jetting around the humankind , solve old featherbrained mystery story while always introduce more . And a vast part of this is …

Do n’t concentrate on unnecessary bull .

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I hump you have a large dramatis personae and you feel compelled for them all to have something to do every instalment . I know that logistically , your star topology ca n’t appear in every scenery of every show without give self-annihilation from overworking . But if you ca n’t tie a subplot back to the main story — or at least use it to research the mount of the show — you need to cut it . Not to pick on Grimm again , but half of Juliette ’s prospect last time of year could have been cut without losing anything . Not that it ’s a scifi show , but Dexter was horrible at this — intend of all the time spent with LaGuerta ’s troubles , or Quinn , or , most useless of all , Masuka and his daughter . None of those scenes weigh at all to Dexter , the character or the show . They run nowhere , and never did anything but waste fourth dimension . Some show can make these scenes work by simply exploring the other characters , but those character need to be likable and interesting . agent of SHIELD ’s non - Agent Coulson citizenry are getting there , but for now , when the team is n’t advancing the episode ’s plot of ground or Clark Gregg is n’t on covert , viewers are more likely bet at their watches than the screen .

When in doubt , go crazier .

citizenry watch preposterous show because they ’re fun , and the more ridiculous they get , the more fun they are . Whether you ’re design a show — “ The Headless Horseman is actually Death ! ” — or in the middle of it — “ The lost colony of Roanoke moved to upstate New York into some kind of weird dimensional pouch and also they have the plague because of Pestilence ! ” — there ’s no downside to go testicle out crazy . Again , you ca n’t break the fundamental prescript of the show , but as long as you do n’t better your initial deal with the audience , you ’re golden . As knotty as Lost ’s finish was for some , this is just keep people watching for five full season without ever practically explaining anything sufficiently . Polar bear ! Smoke monster ! Hatch ! Dharma Initiative ! Frozen Donkey Wheel ! Temple ! And so on and so off . Whatever you think about Lost now , it was thrilling to keep an eye on each new scrap of outlandishness get revealed , and it kept masses watching until the goal .

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