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Venice was once home to some of the world ’s greatest artists — Michelangelo , Leonardo da Vinci and Titian , to name a few . But the oldest known metropolis view of Venice was n’t sketched by any of them .
It was sketch by a fourteenth - C pilgrim .
The penitentiary - made drafting is part of a manuscript write by Niccolò da Poggibonsi , an Italian pilgrim and Franciscan mendicant who traveled to and from Jerusalem in an adventurous journeying from 1346 to 1350 . Niccolò travel by through Venice during his pilgrim’s journey and was so inspire by the metropolis ’s boat , churches and building that he scribble them down and put the draught in his manuscript .
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This roughly 670 - year - old draught was recently discovered by Sandra Toffolo , a postdoctoral researcher of history at the University of St. Andrews in Scotland . Toffolo ’s specialty is Venice during theRenaissance . She come up across the drawing in May 2019 at the Florence National Central Library while researching her monograph ( an in - depth scholarly paper ) title " discover the City , name the State , " which will be published later this year .
" The breakthrough of this city view has great consequences for our noesis of line drawing of Venice , since it shows that the metropolis of Venice already , from a very other full stop , hold a great captivation for contemporaries , " Toffolosaid in a statement .
As soon as she determine the lottery , Toffolo said , she knew that it was the oldest known city view of Venice , excluding maps and portolan , or sailing chart . The onetime map on criminal record of Venice , made by Fra Paolino , a Franciscan friar from Venice , is a few decades former , dating to about 1330 . However , to verify her suspicion was correct , Toffolo spent several month verifying that thepilgrim ’s drawingis actually the oldest metropolis view of Venice on record .
In addition to the sketch , Niccolò described Venice in his holograph , which he likely made after he refund to Italy in 1350 , Toffolo say .
She also noticed a smattering of pinprick on the original manuscript , indicating that the cartoon was widely circulated . That ’s because , when copy paradigm , publishing house used to make pinpricks in the paper and then sieve pulverization through the muddle , transferring the lineation of the image to a newfangled page .
" The presence of these pinpricks is a warm indication that this city view was copied , " Toffolo said . " Indeed , there areseveral images in manuscriptsand early publish books that are understandably based on the image in the manuscript in Florence . "
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